| some photos from amsterdam |
[Nov. 20th, 2006|03:33 pm] |
|
I' ve been in
Amsterdam for a couple of days (went there Friday November 10,
flew back Wednesday). The city was great, the weather was... well, not
good for photographs, and the joints... just too many. Joke of the
day: I was there for business.
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| two gzips at the same time |
[Oct. 23rd, 2006|04:37 pm] |
What a dual-core system is good for: Two gzips at the
same time
Peter Gibbons: What would you do if you had two cores?
Lawrence: I'll tell you what I'd do, man: two gzips at the
same time, man.
Peter Gibbons: That's it? If you had two cores, you'd do two
gzips at the same time?
Lawrence: Damn straight. I always wanted to do that,
man. And I think if I had two cores I could hook that up, too; 'cause
processes dig CPUs with cores.
Peter Gibbons: Well, not all processes.
Lawrence: Well, the type of processes that'd double up on a
PC like this do.
Peter Gibbons: Good point.
Lawrence: Well, what about you now? what would you do?
Peter Gibbons: Besides two gzips at the same time?
Lawrence: Well, yeah.
Peter Gibbons: Nothing.
Lawrence: Nothing, huh?
Peter Gibbons: I would idle... I would sit on my ass all
day... I would do nothing.
Lawrence: Well, you don't need two cores to do nothing,
man. Take a look at my cousin: he's got a 386, don't do shit.
Source: Slashdot |
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| night at the opera |
[Oct. 20th, 2006|10:02 pm] |
| [ | Current Music |
| | Radio Birdman - Murder City Nights | ] |
One floor below. At one side a dance-floor, at the other a
bar. Tables and stools around on raised floor levels. Black worn-out
carpet on the floor. Walls painted black. Chocking-full of smoke. On
the dance floor three girls in full goth-attire---plus the
accompanying hair-styles, make-ups, tattoos, and everything. They are
moving to the music: A Birthday Party song, followed by "Kick in the
Eye" by Bauhaus, followed by something that sounded a lot like Tear
Garden (maybe it was). The color spectrum, as sampled on the
decoration, the patrons' clothes, and their make-up, consists almost
entirely of black, plus maybe some red and burgundy here and
there. Faces mostly white and pale. At the bar, a girl with a
foot-tall mohican is serving. Then she jumps over the counter to go
dancing. I mentally check the calendar: Yes it's 2006, and then my
clothing: Thanksgod, it's almost all-black. I spot my company over by
the corner. I go there. They introduce me to a guy I haven't met
before---I don't remember his name, damn! He asks me what kind of
music I listen to. I tell him. He then asks me if I'm into 70's garage
and psychedelic stuff. Not particularly, by I wouldn't mind a few good
samples. He jots something down on a piece of paper and gives it to
me. It says:
lost-in-tyme.blogspot.cnm
Then he gets on the dance-floor and starts dancing...
[[[ This post is for the friend who always asks
me "where on earth you find these deranged stuff?" whenever I show him
something on the Net ]]] |
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| lost in tyme |
[Oct. 17th, 2006|05:34 am] |
| [ | Tags | | | culture | ] |
| [ | Current Music |
| | Six Feet Under - Inspiration In My Head | ] |
Go visit the lost-in-tyme blog. There
you will find showcased, and you can download full releases of,
exquisite psychedelic / garage / folk / hippie rarities...
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| tour d' athenes |
[Oct. 2nd, 2006|02:14 pm] |
Friday afternoon I took my brand new Honda CBF-250 motorcycle from the
dealer's. During the weekend, the weather being excellent, and the
engine requiring some run-in kilometers, I took a couple of rides
around Athens. By Sunday afternoon the first 500 km were on the
odometer.
Saturday, September 30: From Pagrati I go downtown to do some
shopping. I buy
a jacket---the weather is good but not that good as to ride
without one. Back to Pagrati then, and from there, after a quick stop,
I set course to cape
Sounion. I take the coast-side drive (Poseidonos Ave, etc). After
a couple of stops
for photographs I'm there. Coffee at the place near Poseidon's
temple, and then back to Athens, this time via Lavrio, Paiania, etc... During
the return part I hit some rain. Not much but enough to test if my new
jacket is waterproof (it is).
Sunday, October 1: I have about 350 km on the odometer, and the
fuel-tank is almost empty. I stop at a gas-station near my place for
my first refueling. It fills up with 12.9 lt of unleaded. Average
consumption: 3.7lt / 100km (or 19.4 km / lt). From there I go north
this time: Kifissia, N. Erythraia, Ekali, then turn east
towards Dionysos. At the top of the pass I stop for coffee. My brother
calls me and tells me he's at the office. I decide to go
there. I cut through the mountain to Penteli and Halandri, and after
staying there for half an hour or so, I go back the same way. Now I
descent towards Nea
Makri and from there I head to Marathonas. I stop
by the lake for a few minutes, and head back to Athens through Ag.
Stefanos.
A couple of hours latter I go to my new house to check
on the progress of the works. I'm still in the mood for riding so from
there I start climbing-up wherever I see an ascending slope. Soon I
leave behind the built-up area and I'm in the Penteli mountain. I pass
a monastery and continue going up. The view becomes magnificent and
the air cooler. I continue climbing until I reach some military
installations close to the top. I stop there for a few minutes and
then head back to Pagrati...
As I park the motorcycle, I see 495.9 km on the odometer. |
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| my cbf250, first pictures |
[Sep. 28th, 2006|10:58 pm] |
Today I went to the dealer to ask when my new motorcycle would
arrive; sometime next week, probably Tuesday or Wednesday. While there
I saw it: A Honda CBF-250 in blue that had just arrived. "Is this
available?" I asked. "Yes, you can take it home tomorrow morning". In
a couple of minutes I had decided. This would be my first
motorcycle. We took it aside, removed the seat, assembled the rear
case-rack, filled its battery and put it on the charger. Tomorrow,
sometime after noon, I will take it home... Pray for good weather this
weekend.
While assembling the rack, I took
some pictures. |
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| bread is evil |
[Sep. 19th, 2006|11:52 am] |
It's Time Somebody Did Something About Bread!
Did you know:
- More than 98 percent of convicted criminals are bread eaters!
- Exactly half of all children who grow up in bread - eating
households score in the bottom 50% on standardized IQ tests!
- In the 19th century, when virtually all bread was baked in the
home, the average life expectancy was less than 55 years; infant
mortality rates were unacceptably high; many women died in
childbirth; and diseases such as typhoid, scarlet fever, smallpox
and influenza ravaged entire nations!
- Statistics show that more than 75% of violent crimes are
committed within 24 hours of eating bread!
- Bread is made from a substance called "dough." Researchers have
proven that as little as one pound of dough can choke a large
animal like a horse. The average person eats more bread than that
in one month!
- Bread is known to be extremely addictive. Subjects deprived of
bread and given only water, actually begged for bread after just
two days!
- Bread is a "gateway" food item, which usually leads to such items
as butter, jam, peanut butter and even ... bacon!
- Bread has been proven to kill. Scientists have now uncovered
alarming evidence that 100% of the people who eat bread will
eventually die!
- Unattended newborn babies can choke on bread!
- Bread is baked at temperatures as high as 425 degrees Fahrenheit!
Don't laugh...that kind of heat can kill a full grown adult in
less than five minutes.
- 96% of cancer victims eventually admit that they've eaten bread!
Source: A
smartmaniacs forum posting
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| the song of the sausage creature |
[Sep. 18th, 2006|08:51 pm] |
| [ | Tags | | | culture, moto | ] |
| [ | Current Music |
| | Sonic Youth - Death Valley '69 | ] |
Hunter S. Thompson had a thing for motorcycles, not much unlike
the thing he had for drugs, as well as for practically every forbidden
pleasure. Once he found himself with a Ducati super-bike and he had to
write a review about it for the CycleWorld magazine. The result was a
very characteristic document (a classic gonzo-style piece) titled The Song of the
Sausage Creature. I came upon it lately and, for no particular
reason, I made an attempt
to translate it to Greek. I tried to maintain the overall feeling
of Thompson's writing without staying too close to the exact
words. Regardless, I'm still not sure if it makes any sense in
Greek. Read it if you don't have anything better to do, and tell me
what you think about it...
Some points I would particularly like some input about:
- I really I don't get the Genghis Khan reference, so I have
probably totally mis-translated it...
- Who the fuck is Ron Zigler?
- I'm not comfortable, at all, with the way I translated the title,
but still I cannot think of something better. Any suggestions?
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| zen and the art of motorcycle maintenance |
[Sep. 9th, 2006|05:38 pm] |
Seeing my last
post, somebody mentioned in a reply Robert Persig's novel Zen and the Art of
Motorcycle Maintenance, taking for granted that I would have read
it, or at least that I knew about it. I haven't and I didn't. Luckily
the text is available
online, and since I'm maybe the last person on the planet not to
have heard of it, I read the first few chapters yesterday. I'm still
too early in the book for a solid opinion, but one thing I can say for
sure: I would have enjoyed it immensely had I read it as a
teenager. I mean, there are books that when you read at a certain age
they expand inside you to something much more that a simple reading,
and sometimes even mark whole periods of your life. This, I'm certain,
would have been one these books.
It's the story of a father and his son, traveling by motorcycle,
together with another couple (Sylvia and John). During their rides the
narrator has a lot of time to think about the world, about ancient
cultures, about modern society, about science and technology, about
the classical, versus the romantic way of thought, about the role of
man in the modern world, and so on. So the book often diverts in long
philosophical musings which sometimes, while not uninteresting,
neither exactly boring, sound a bit too didactic in tone and
attitude. Then again, it is twenty-something years since the book was
written, the author was a beatnik, people used to write
like this back then, and he does call these interludes Chautauquas which,
I guess, means that they are supposed to be didactic in style
and content. Also remember I have read just a few
chapters... Regardless, I find the book a great pleasure to read; I
mean in a honest "can't wait to get back to it" way.
Looking for the book, I came uppon this ZZM
Quality site devoted to the study and adoration of Pirsig's
work. Among other things it features some 12
photographs Robert Pirsig took during the actual trip on which
the book is based. The following picture of the author and his son
seems to be the most characteristic.
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| construction time again |
[Sep. 4th, 2006|11:42 pm] |
| [ | Tags | | | hacks/house | ] |
| [ | Current Music |
| | Taavi Tulev - Tuhikl'i [SomaFM] | ] |
I'm building a house. This is neither a figure of speech, nor some
geeky jargon to obscure the point. I'm speaking about a real house
like those where people live in:
People construct houses as dwelling-spaces for human
habitation. Such dwellings generally feature enclosing walls, a roof
and one or more floors. This overall structure provides shelter
against precipitation, wind, heat, cold and intruders [...] The house
often provides a permanent residence for a family or for a similar
social unit. When occupying a house routinely as a dwelling,
English-speaking people may call this building their "home". People
may leave their house most of the day for work and recreation, but
typically return "home", to their house, at least for sleeping.
-- From the Wikipedia
entry on houses
Yep! It will have all of these: Walls, a roof, more than one
floors, the works!
After about 15 years of living in the same 65 square-meters flat
down-town
in Athens, I took the big decision to change place of
residence. Initially I thought that buying a new, spacier apartment in
a decent neighborhood would be the most economic way to go. After
asking around, and after doing some rough calculations, it became
obvious that building a house---in a lot my brother and I had
inherited from our mother---would cost about the same and the result
would probably be much better.
The lot is in Nea Penteli;
formerly a village sitting on the slopes of the Penteli mountains. Now
Nea Penteli has become a suburb not too far from the center of Athens,
especially given the very good access to Attiki Odos ring
road. The area is still surrounded by a lot of greenery (mainly
pine-trees forests) and is quite agreeable. The exact coordinates are:
38o 03' 27.36'' N
23o 51' 01.00'' E
Elevation 352m
(you can easily find it in
google maps. It's the empty lot on "Digeni Eoka" street, third
from the intersection with "Neas Pentelis Ave"). The postal address
is:
Digeni Eoka 24,
152 36 Nea Penteli
Attiki
The total area of the lot is 400 square-meters (20 by 20). The
building code allows a coverage ratio of 0.4 which together with all
other rules and regulations results in a a total of about 300 square
meters in two above-ground floors. Since my brother owns half of it, a
single building will have to incorporate two residences, 150 square
meters each. Constructing two independent buildings is economically
out of the question, and also probably impossible due to regulations.
I'm new to all this construction business, but the consensus among
friends who have done it before seems to be that in each and every
stage---even if you take for granted an engineer that oversees the
project, and whom you can trust (something that is usually not so very
much granted)---even then there is an enormous amount of work for the
owner.
Currently works on the concrete frame of the building are almost
finished. Soon brickwork will begin, after cleaning up and leveling the
surrounding area. If you are curious you can take a look at the
floor-plans for the ground-floor, the
first-floor,
and the basement. All
plans are in 1:75 scale and were prepared by yours truly using the
very nice, open-source program QCAD. If you see
anything flaky in them (like "oh my God, the elevator door opens in
the bathroom!"), please point it out. Maybe there's still time to fix
it.
I'm thinking of occasionally reporting here on the progress of the
construction, as well as on experiences gained from it. I'll tag the
relevant entries using: "hacks/house".
I hope next time I also have some pictures to show you. |
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| a bloody tale |
[Sep. 1st, 2006|03:27 pm] |
| [ | Tags | | | personal | ] |
| [ | Current Music |
| | Ben Neill - Propeller [SomaFM] | ] |
It's been quite a while since my last post. At least this time I
have a good reason. No, it's not that I've been way too busy at work
(though I was), neither that I was preoccupied with other personal
projects (about which I'll write in another post). It was because
during these months I came very close to actually... dying. Of course
we all are, all the time, very close to death, but I never was as
conscious of this as I became this summer. A few months ago, after
returning from a business trip, and following a couple of frantic
weeks at the office, I got caught-up in a health-related
adventure. One that, had I been less lucky, could have easily killed
or incapacitated me.
It started with a rather innocent-looking pain in the back
evolving to a strong pain in the pelvis, and then to an excruciating
pain in the muscles of my right leg. Still I refused to be admitted to
a hospital, despite the constant nagging of my family, my friends, and
the doctors I had consulted. Gradually becoming completely unable to
walk even the shortest distance, becoming unable to even stand
with my leg extended, I gave-in and was taken to a hospital. As it turned out,
I was suffering from a rather severe case of DVT: Blood had clotted in
veins inside my body, including the deep veins of the right leg and
thigh. Apart from causing an excruciating pain (because muscles cannot
be properly fueled, so to say) the most serious risk with this is a
piece breaking from the clot and going to the lungs causing pulmonary
embolism. So there I was, in a hospital for about four weeks or
so, with strict orders to avoid any kind of movement or effort that
could upset the clots. Four weeks staying in bed, sleeping, trying to
read anything interesting---or just distracting---getting pinned by
needles a couple of times each day (for every blood test ever devised
by human), but mostly... staring at the ceiling. I left the hospital
the doctors there being unable to find a concrete reason why this
happened to me---which is quite common, in such cases very often they
don't. I was instructed to take anticoagulation pills (pills that make
the blood clot less easily), and avoid strenuous activity for some
time. While the pain was mostly gone, I was feeling very warn-out. I
was unable to walk for more than a few hundred meters without getting
tired, especially so on a rising slope. This, they told me, would take
some time until it got better.
But this was not the end of my adventures. As I told you, I was
instructed to take anticoagulation pills. The exact dosage of these
has to be frequently adjusted by taking blood samples and measuring
the clotting characteristics. Of these characteristics we care for an
index called PT-INR. Normal
people have a PT-INR of 1.0. I, due to the medication, was to maintain
one greater than 2.0 but no greater than 3.0. Up to 5.0 or 6.0, its
relatively safe. Above this you are risking internal hemorrhage, and
must be treated in a hospital. Well, my luck has it, and something
went wrong in this process. I woke up a morning with my mouth filled
with blood, my stomach aching (from having ingested too much blood
during the night), and my right arm bruised as if it was beaten by a
mallet. I went to a lab near my place, and measured my blood clotting
index. It was 12.5. So back to the hospital. Same room, same bed, same
ceiling. For one week this time, taking blood plasma, and antidotes
for the anticoagulation medicine.
It's been a couple of weeks now since I'm back to normal. I have
managed to stabilize the medicine dosage (or at least I think so; I
hope I don't suddenly turn to Mr. Hyde or something). I'm not feeling
too bad---I still get tired more easily than before, but all in all
things seems to be getting back to normal. Let's hope they stay in
course. |
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| post gutenberg galaxy |
[Feb. 23rd, 2006|07:57 pm] |
This is a link to an essay by Stevan Harnad titled "Post
Gutenberg Galaxy: The fourth revolution in the means of production of
knowledge".
Who is Stevan Harnad, and what kind of psychedelic essay is this,
you may ask?
Harnad is a cognitive scientist and can be considered the father
of the Open-Access
Movement, a movement that evangelizes the free publication and
free distribution of academic writings; something akin to the Free Software movement, but focusing on
academic output instead of computer software. As a matter of fact,
Harnad is sometimes likened to Richard Stallman. In the
essay linked above he presents his vision that the free flow of
academic knowledge, empowered and accelerated by the modern electronic
communication technology, and the global network, will result to a
revolution in the way knowledge is produced. This is what he calls the
"fourth revolution" (the previous three being: speech, writing, and
typography).
In 1994, Harnad published a subversive proposal (Scholarly Journals
at the Crossroads: A Subversive Proposal for Electronic
Publishing), presenting methods that can be used to hasten the
arrival of the day when esoteric, peer-reviewed, electronic publishing
becomes ubiquitous. From this proposal is the quote that follows:
We have heard many sanguine predictions about the demise of paper
publishing, but life is short and the inevitable day still seems a
long way off. This is a subversive proposal that could radically
hasten that day. It is applicable only to ESOTERIC (non-trade,
no-market) scientific and scholarly publication (but that is the
lion's share of the academic corpus anyway), namely, that body of work
for which the author does not and never has expected to SELL the
words. The scholarly author wants only to PUBLISH them, that is, to
reach the eyes and minds of peers, fellow esoteric scientists and
scholars the world over, so that they can build on one another's
contributions in that cumulative, collaborative enterprise called
learned inquiry. For centuries, it was only out of reluctant necessity
that authors of esoteric publications entered into the Faustian
bargain of allowing a price-tag to be erected as a barrier between
their work and its (tiny) intended readership, for that was the only
way they could make their work public at all during the age when paper
publication (and its substantial real expenses) was their only option.
Source: lwn |
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| respect what you 're pirating |
[Feb. 23rd, 2006|03:27 am] |
| [ | Tags | | | politics | ] |
| [ | Current Music |
| | Deerhoof - Apple Bomb | ] |
You know of course that all this bitching by the studios, the
publishers, and the record companies is about protecting and
compensating their beloved artists. Here's what Terry Gilliam
says about it:
It's hard for me to worry about the studios losing money. I'm not
very sympathetic to their money problems, because they certainly
haven't been sympathetic to mine.
When you look at one of their accounting sheets you realise you're
never going to see a penny, so if someone wants to rip them off that's
fine with me.
If you're going to pirate, though, make sure the quality's
good. Have some respect for what you're pirating!
Source Bit
of News |
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| manifestoes |
[Feb. 22nd, 2006|10:44 pm] |
| [ | Tags | | | politics | ] |
| [ | Current Music |
| | Cabaret Voltaire - A Touch of Evil | ] |
I came upon this proclamation of digital
rights (document in Greek) through Asteris Masouras's "Non-Linear
Complexity" blog. While I'm not against any of the points in the
text, I would not sign it.
Come on guys, this is not a manifesto!
What a weak, lukewarm, confused, boring, and mostly meaningless
text is this? A manifesto is supposed to be the masthead of a
movement, not a timid list of bureaucratic suggestions. It must be
militant and political, incisive and incinerating, bold and
polemical. It must be able to serve as a call to arms, not read like a
shopping list. It must bind its followers together, and draw the line
between them and their opponents. Above all, it must make clear, in no
vague terms, the ethical and political position of the movement it
represents. You cannot mince your words when you write a manifesto.
I repeat that I have nothing against the ideas and political
positions of the proclamation, it's the execution that's lacking, and
it's lacking badly.
Follows a random list of some famous political and artistic
manifestoes. Use them as examples of what true manifestoes read like.
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